Small Movies, Big Nerve
A note on why short films work best when every cut has nerve.
Coming soon: a note on why a short film has nowhere to hide.
It can hold the title, the nerve, the production status, and the promise of future materials. That is enough for a beginning.
The bravest format
A short film has nowhere to hide. No second act to rescue a weak premise, no runtime to pad. Every cut has to earn itself.
That is exactly why ORBIT starts here — small movies, big nerve. The constraint is the point.